“No More, No Less” is the follow-up to the JPQ’s self-titled debut album from 2007. The new CD documents the growth the band has gone through during the past two years and illustrates the cohesive, passionate playing that prompted Earshot Jazz to call them “The next generation of Seattle Jazz.” Songs include one original by Parker and fresh takes on compositions by a diverse group of songwriters, including Wayne Shorter, Cole Porter, Sam Rivers, Nick Drake, George Gershwin, Duke Pearson and Tatum Greenblatt. The addition of Mullis on three tracks adds fire and depth to the band, and she fits in perfectly with the exploratory nature of the core quartet.

The JPQ prides itself on compelling original compositions and fresh interpretations of jazz standards. With the inclusion of Nick Drake’s “Three Hours” they have signaled a commitment to playing songs from outside the traditional jazz canon. And with Tatum Greenblatt’s “Mance’s Dance” they have shown a desire to play songs written by their peers. Greenblatt is a Seattle-born, NYC-based trumpet player currently studying for a Masters’ Degree at Juilliard School of Music.

The CD Release Party at Lucid Jazz Lounge will feature songs from the new CD and other goodies as well, featuring Mullis joining the band for the evening. The CD will be available at the show for a suggested donation of $15, but will be available to all attendees on a pay-what-you-can basis. Everyone paying $15 or more will also receive a free download of “Jason Parker and Friends – Live at Lucid”, which was recorded earlier this summer.

You can stream the album for free here, or just click the “play” button in the right-hand column to listen while you continue to surf this page.

Show time for the Release Party is 9:30pm. Lucid Jazz Lounge is located at 5241 University Way NE, Seattle. There is no cover charge and the show is 21+.

Bios

Josh Rawlings – Pianist and Composer Josh Rawlings is a renaissance jazz pianist that exhibits awesome ability on his instrument and ease playing genre-to-genre – setting-to-setting. Since moving to Seattle, Rawlings has seen wide successes as a performer and musician, and has been featured on the Northwest’ most prestigious stages. Josh graduated from Seattle’s renowned Cornish College of the Arts in 2005, and has twice since been honored by Earshot Magazine’s Golden Ear Award Nominations. Having studied and performed with renowned groups & musicians Denney Goodhew and the Qhromatics, Randy Halberstadt, Jovino Santos Neto and Hadley Caliman while at Cornish, Josh developed a voice that was literally bursting out of his school doors.

Evan Flory-Barnes – Bassist Evan Flory-Barnes has distinguished himself as the first-call bassist in the Seattle area in any number of genres. He envisions and lives the creation of a community of musicians and other artists brought together by excitement, collaboration, and a spirit of well-being, known as New Seattle. The original groups Threat of Beauty, Industrial Revelation, Ciendo and The Teaching have each been born of the New Seattle spirit. Evan’s buoyant swing, cold grooves, blistering solos and inventive bow playing are fully exposed through performances with his own groups and with groups in all genres, including the Marc Seales Quintet, Jovino Santos-Neto, Correo Aereo, Choklate, and Scandalmonger. He was recently awarded the prestigious Meet the Composer grant to produce a 9-movement orchestral work with dance that will be featured in the 2009 Earshot Jazz Festival. In 2007 he was a featured artist on the Seattle Channel’s Verve Series of artist documentaries.

D’Vonne Lewis – D’Vonne Lewis is a self-taught drummer with a background in gospel, funk, and rhythm and blues. Lewis graduated from Seattle’s Roosevelt High School where he has received numerous high school jazz band awards, including outstanding soloist at the Essentially Ellington Jazz Festival for the years of 2000, 2001, and 2002. In early 2007, he was awarded the Seattle Jazz, Earshot Jazz Golden Ear Award for Emerging Artist of 2006. Lewis has performed with Wynton Marsalis and the Lincoln Center Jazz Orchestra, Marian McPartland, guitarist Bucky Pizzarelli, vocalist Dee Daniels, jazz clarinetist Eddie Daniels, Larry Fuller, and out-sax titan Charles Gayle. Lewis plays in several bands around the puget sound exploring a broad range of music styles including jazz, funk, African, Brazilian, hip-hop, and r&b. In the fall of 2004, the D’Vonne Lewis Quintet was featured at the Earshot Jazz Festival. He now leads his own quartet, Industrial Revelation and his own trio Triplication. D’Vonne is a regular member of Marc Seales’ Quintet, McTuff, Seattle’s soul queen Choklate, Seattle’s Blue Scholars. and The Hadley Caliman Quartet.

Cynthia Mullis – Cynthia Mullis is a versatile, accomplished saxophonist and jazz artist. Since moving to Seattle in 2000, she has become an active member of the Pacific Northwest music scene after many years in New York and San Francisco. Cynthia leads the jazz group New York Confidential which combines the finest jazz musicians in the Pacific Northwest with musical style inspired by the Big Apple. The chemistry of the band is organic, creative and exciting, and performs classic jazz and original jazz compositions. The band features top-notch northwest jazz musicians in concert, club and festival settings. New York Confidential also provides professional musical services for various events in the Seattle area. In addition to performing with other notable Northwest groups, Cynthia is a regular member of the Seattle Women’s Jazz Orchestra. She is featured on tenor and alto saxophone on their 2007 OA2 Records release, Meeting of the Waters. Cynthia also performed with SWOJO at the Lima Jazz Festival in 2007. Cynthia lived and worked in New York City from 1993 through 2000. She moved to the Big Apple at the encouragement of Jimmy Heath, and studied saxophone, composition and jazz improvisation with the legendary saxophonist at Queens College. While completing her studies with Mr. Heath, she immersed herself in the jazz scene of New York City, hitting late night jam sessions, practicing hours a day, and meeting and performing with world-class musicians. From 1994 to 2000 she was a member of the all-women big band Diva, based in New York City. With Diva, she performed extensively across the United States, backing such artists as Diane Schuur, Joe Williams and Dave Brubeck. While with Diva, Cynthia performed at numerous prestigious venues, including the Blue Note, Birdland, and Tavern on the Green in New York, the Kennedy Center in Washington DC, the SS Norway and QE2 Floating Jazz Festivals, and jazz festivals in Berlin, Montreal, Austria and Switzerland. Cynthia can be heard on two of Diva’s CDs, Leave It to Diva and I Believe in You. Cynthia Mullis earned a Master of Arts in Jazz Performance from Queens College in NYC. She holds a Bachelor of Music Performance degree from the University of Northern Colorado. In addition she has an AAAS Degree in Graphic Design from Shoreline Community College and a Certificate in Arts Management from the UW. Cynthia is originally from Albuquerque, New Mexico. She is also a graphic designer and writer who enjoys discovering the parallels between visual art and music.

Nate Omdal and I have been working on the arrangements for over a year now. We started with this book of Jewish melodies and transformed them by adding different Latin rhythms to each piece. As each new arrangement was completed we grew ever more confident that we were on the right track.

Last Thursday the band made its debut at Egan’s. I arrived about an hour early to get warmed up and go over the parts one more time with the band. The first people to show up were folks I didn’t know, which I took as a good sign! By the time we took the stage the room was full! Family, friends and strangers all turned out to see what the fuss was all about. It was amazing to look out from the stage and see the anticipation on the faces. And all this for a band that hadn’t even played a note yet!

The show was a blast, and the response since has been truly amazing. This band may just become my most popular band!

I have to give huge thanks to Nate. Without his enthusiasm and dedication to the project it never would have seen the light of day. And I am honored and thrilled to have such a great band to make these songs come to life: Tobi Stone, Adrian Witherspoon, Brian Bermudez, Adam Kessler and Lalo Bello. Thanks to one and all!

I recorded the set, and as soon as I can find the time to go through it I will post a song or two. You really gotta hear this! Stay tuned for the further adventures of Clave Nagila!

Over the last year my good friend Nate Omdal has helped me with the arrangements of such tunes as “Hava Nagila”, “Dayeinu”, “Adon Olam and more. I can’t wait to debut this amazing arrangements!

The band consists of 7 of the finest players in Seattle, including myself on trumpet, Nate on bass, Tobi Stone on clarinet, Brian Bermudez on bari-sax, Adrian Witherspoon on trombone, Adam Kessler on drums and Lalo Bello on percussion. These folks have dedicated much of their time and enthusiasm to rehearsing and getting ready, and I can’t thank them enough for their involvement and support.

Please come check us out tomorrow (Thursday) night at Egan’s. We play the early set, from 7:00-8:30pm, so you can join us for dinner and still get to bed at a reasonable hour!

Oyle!

Technorati Profile

This time we were joined by our old friend Nate Omdal on bass and new friend Brad Gibson on drums. All who were in attendance agreed that they both sounded great and fit in real well, even though it was Brad’s first time playing with us. I asked Cynthia Mullis to join us for most of the evening. She’s been playing 2-3 songs with us at our recent shows, and she brings such great energy and playing to the band that I wanted her to play more and more! She absolutely tore it up on my tune “Bashert”. A few other guests sat in, including Katrina Wible, Jamie Baumgart and Bob Garrett, who played a double-trumpet throwdown with me on Nick Drake’s “Three Hours”.

If you haven’t been to Lucid yet you gotta check it out. We’ll be back there on June 19th, but don’t wait until then. They have great music 4 nights a week, and it’s always free.

In the meantime, we are ready to celebrate the completion of the recording phase, and we want YOU to celebate with us!

The Jason Parker Quartet is playing at Tula’s tonight and we would love to see you there! Tula’s has been the long-standing home for the top local jazz musicians and it’s very hard to break into their rotation. That’s why we’re thrilled to be on the bill, and we hope to show the folks there that we can draw a good crowd so they’ll invite us back.

Come see the band Earhsot calls “The next generation of Seattle jazz” at a club called “a cool place” by Wynton Marsalis!

We start at 7:30pm and will play 3 sets. Tula’s has an extensive dinner menu and full bar, so come for a meal, for drinks, or just for the music!

Tula’s is located at 2214 2nd Ave. between Blanchard and Bell St. in Belltown.

We love to see friends both old and new at our shows. Your energy and enthusiasm excite and inspire us. Come join the celebration toinght!

Thanks for your support. Hope to see you there.

The JPQ

Jason Parker – trumpet
Josh Rawlings – piano
Evan Flory-Barnes – bass
D’Vonne Lewis – drums

Josh, Evan, D’Vonne and I had a dress rehearsal at the studio yesterday and worked out some of the room details, and I’m glad we did. I really wanted us all in the live room so it would be as close to our normal playing experience as possible. But our engineer, PJ Newman, wanted to put Evan in an isolation booth to capture a clean bass sound. I asserted myself as the leader and had him set Evan up in the room with us, but after listening back to the recording I had to admit that PJ was right. From then on, I deferred to him as the expert! We got all of the placement issues out of the way, set all the levels of the various microphones, and ran a couple of the tunes. It was great to have the opportunity to get used to the room before the actual recording session.

On the way to the studio this morning, I told myself that all the hard work was done and that today was about playing music with my beautiful friends and enjoying the experience. I’m so fortunate to have this incredible band and I’m inspired and excited each and every time I get to make music with them. And my fiance Darrah sent me some perfect inspiration this morning by way of this quote:

Imagination is the beginning of creation. You imagine what you desire, you will what you imagine and at last you create what you will. – George Bernard Shaw

With that in mind, I was ready to dive in and fully appreciate the experience.

So this morning we all rolled in about 11am, had a cup of coffee together and leisurely got ready to go. It was relaxed and slow, and set a good pace for the rest of the day. When we got to playing, it took a while to dial in the headphone mix. I always find it hard to get used to hearing myself through headphones, and was fiddling with them all day. The first couple takes of “Bashert” I was distracted by this, but by the third take we had all settled into our groove. I was determined not to do too many takes of any given song, and we did pretty well. Two tunes we got in one take, one tune we tried four takes, and the rest were two or three each. By the time we had gotten through “Bashert”, “Love For Sale”, “Beatrice” and “Dos Gardenias” I was starving and called a break for lunch.

After lunch we were joined by the wonderful tenor saxophonist Cynthia Mullis. I have long admired Cynthia’s playing and was thrilled when she agreed to participate in the recording. We had her come out to our last couple shows to play with us and it’s been a real treat. And I must say, she got us all excited with her playing today. After our first take of “Mance’s Dance” PJ told us we should always eat Indian food before we play, but I’m pretty sure it was Cynthia that got us all hyped and took our playing to a new level. We did a few more takes of Tatum’s tune, nailed “Idle Moments” in one, and then took a couple passes at our mash-up of George Gershwin’s “Summertime” & Wayne Shorter’s “Footprints”. Cynthia was tearing it up, and after listening back we were all pleased with what we got. It was sad to say goodbye to her at that point but we had a few more tunes to get through before the day was over.

So we cut Cynthia loose and took two shots at “The Rainbow Connection” and got “Three Hours” is one take. We decide to try one more take of “Bashert” for kicks, and then my chops were done. Trumpet playing is such a physical endeavor, and when they go, they go! I would have loved to take another pass at one or two of the tunes, and we never got to my composition “Contact”, but that’s the way it goes.

After we were done we headed to Lucid for a celebratory drink, where the owner David bought the first round! He’s been super supportive of the band and the recording project and it was nice to end the day in the warm confines of his club. We even got to hear a bit of a new band called Chemical Clock, who were great!

I got home in a state that is all too familiar after playing – tired and wired. I slept for a couple hours but woke up with thoughts of the session in my head and deep gratitude for all my good fortune in my heart. PJ is going to get me the rough mixes tomorrow night, and I can’t wait to hear what we got. The band was absolutely killin’ all day long, and I look forward to getting into the mixing and mastering phase of the project.

Big thanks to Ashwin Rao for bringing his camera and documenting the session. Click here to see a slideshow of his photos.

Check out our debut album “Draw Me A Bath” to get an idea of the funky goodness that will fill the air tonight, and then get yer booty to Lo-Fi! We’ll play a couple sets between 9-12, and then The Teaching will take over for The Hang.

Water Babies is:

Jason Parker – trumpet & flugelhorn
Josh Rawlings – Fender rhodes
Aaron Kassover – electric & acoustic bass
Brad Gibson – drums & percussion

Even before we started playing the room was starting to fill, and by the time we finished our first set it was standing room only! The vibe in the room was warm and friendly, the drinks were flowing liberally, and the band was ON.

We ran through some of the new tunes we’re working on for the recording and dusted off some old favorites as well. The new stuff went over well and our arrangements worked great in the live setting. It was fun playing “Dos Gardenias”, “Three Hours” and “Idle Moments”. And “Bashert” was particularly inspired, perhaps because Darrah and her family were in the house.

It was also nice to be able to invite some friends up to join us, including Richelle Gay, who sang beautifully on our mash-up of “Footprints/Summertime”. My soon-to-be-cousin Keith Beesley joined us on soprano sax on “If I Were a Bell” and tore it up. Harold Rosenkrans brought is signature tenor style to Wayne Shorter’s “Adam’s Apple”. And Randy Powers busted out his flugel for an inspired version of Miles Davis’s “All Blues”.

It was a beautiful night of music and the love in the room was palpable. David has created the kind of club that every musician wants to play and I hope you’ll go check it out when you get the chance (we’ll be back at Lucid on April 4th). And I can’t thank him enough for creating our new signature cocktail, “Parker’s Mood”, and donating $1 from each sale to the Micropatronage program.

And as always, it is inspiring and a true joy to play with my incredible band. Thank you Josh, Evan and D’Vonne for bringing your fire, your spirit and your love to the JPQ.

But you can pre-order your copy of the CD today! Every pre-order will receive their copy one week before the release to the public. Read on for information on how you can also receive bonus goodies.

I am financing this record in all the usual ways: my own money, grant money, the kindness of friends, etc. But I’ve decided to try something new this time around: micropatronage.

Micropatronage is a system in which the public directly supports the work of others by making donations through the Internet. It relies on the premise that it is easier to find many “patrons” to donate small amounts, rather than a small number of patrons making larger contributions.

To entice you to become a patron, I have come up with some packages that are all unique to this program. Once the CD is complete it will be sold through all the usual channels, but none of these packages will be available after the release date. It is my hope that you will find one of them interesting enough to be willing to donate a small amount of your hard-earned money to help me complete this project.

I’ve set up PayPal buttons to make it easier, but if you’d rather send a check just scroll down to the end of the post and you’ll find the mailing address.

PARTICIPATION PACKAGES

Solo Package
Participants in the Solo Package will donate $10.00 to the project and will receive:

• High-quality audio files one week prior to the official release date of the CD
• Files will be in your choice of 320k mp3s, FLAC or Apple Lossless