I had the pleasure of playing with Darrius Willrich on piano and Evan Flory-Barnes on bass. Evan is the regular bassist in my Quartet and it’s always a treat to play with him. I’ve known Darrius for years and we’ve played together a bunch, but it had been a while. He’s an incredible piano player and the nicest guy you’ll ever meet. I was glad to have the chance to spend the evening with him. This is one smokin’ trio, if I do say so myself!

Anna and Alfredo came to our recent show at Tula’s and told me that they just wanted us to be ourselves and do what we do, which is always nice to hear. They did have a few requests, however, which turned out to be great ones! For their recessional, for instance, they had us play “Here Comes The Sun” by The Beatles. It’s always a challenge to take a well-know song from outside the jazz genre and do it justice. But it’s a challenge I love! And that song is so simple yet so beautiful that all we really had to do was play it straight and it worked out great. The bigger challenge was learning Jim Croce’s “Time In a Bottle”. Of course I’ve heard this song countless times, but I never paid too much attention to it until Anna asked if this could be their first dance. I take first dances very seriously, and wanted to create an arrangement that would be remembered by all in attendance. It took me a while, but the response was incredible, and I think we will add this song to our regular repertoire!

Top of the Market is a gorgeous place to have a wedding, with stunning views of Puget Sound. The staff took great care of us and was very complimentary about our music. The bartender told me she was thrilled to have such a great live band and not another cheesy DJ!

Thanks to Anna & Alfredo for including us in their big day.

Kathryn Krogstad was the photographer for the wedding and some of her beautiful shots:

In the meantime, we are ready to celebrate the completion of the recording phase, and we want YOU to celebate with us!

The Jason Parker Quartet is playing at Tula’s tonight and we would love to see you there! Tula’s has been the long-standing home for the top local jazz musicians and it’s very hard to break into their rotation. That’s why we’re thrilled to be on the bill, and we hope to show the folks there that we can draw a good crowd so they’ll invite us back.

Come see the band Earhsot calls “The next generation of Seattle jazz” at a club called “a cool place” by Wynton Marsalis!

We start at 7:30pm and will play 3 sets. Tula’s has an extensive dinner menu and full bar, so come for a meal, for drinks, or just for the music!

Tula’s is located at 2214 2nd Ave. between Blanchard and Bell St. in Belltown.

We love to see friends both old and new at our shows. Your energy and enthusiasm excite and inspire us. Come join the celebration toinght!

Thanks for your support. Hope to see you there.

The JPQ

Jason Parker – trumpet
Josh Rawlings – piano
Evan Flory-Barnes – bass
D’Vonne Lewis – drums

Josh, Evan, D’Vonne and I had a dress rehearsal at the studio yesterday and worked out some of the room details, and I’m glad we did. I really wanted us all in the live room so it would be as close to our normal playing experience as possible. But our engineer, PJ Newman, wanted to put Evan in an isolation booth to capture a clean bass sound. I asserted myself as the leader and had him set Evan up in the room with us, but after listening back to the recording I had to admit that PJ was right. From then on, I deferred to him as the expert! We got all of the placement issues out of the way, set all the levels of the various microphones, and ran a couple of the tunes. It was great to have the opportunity to get used to the room before the actual recording session.

On the way to the studio this morning, I told myself that all the hard work was done and that today was about playing music with my beautiful friends and enjoying the experience. I’m so fortunate to have this incredible band and I’m inspired and excited each and every time I get to make music with them. And my fiance Darrah sent me some perfect inspiration this morning by way of this quote:

Imagination is the beginning of creation. You imagine what you desire, you will what you imagine and at last you create what you will. – George Bernard Shaw

With that in mind, I was ready to dive in and fully appreciate the experience.

So this morning we all rolled in about 11am, had a cup of coffee together and leisurely got ready to go. It was relaxed and slow, and set a good pace for the rest of the day. When we got to playing, it took a while to dial in the headphone mix. I always find it hard to get used to hearing myself through headphones, and was fiddling with them all day. The first couple takes of “Bashert” I was distracted by this, but by the third take we had all settled into our groove. I was determined not to do too many takes of any given song, and we did pretty well. Two tunes we got in one take, one tune we tried four takes, and the rest were two or three each. By the time we had gotten through “Bashert”, “Love For Sale”, “Beatrice” and “Dos Gardenias” I was starving and called a break for lunch.

After lunch we were joined by the wonderful tenor saxophonist Cynthia Mullis. I have long admired Cynthia’s playing and was thrilled when she agreed to participate in the recording. We had her come out to our last couple shows to play with us and it’s been a real treat. And I must say, she got us all excited with her playing today. After our first take of “Mance’s Dance” PJ told us we should always eat Indian food before we play, but I’m pretty sure it was Cynthia that got us all hyped and took our playing to a new level. We did a few more takes of Tatum’s tune, nailed “Idle Moments” in one, and then took a couple passes at our mash-up of George Gershwin’s “Summertime” & Wayne Shorter’s “Footprints”. Cynthia was tearing it up, and after listening back we were all pleased with what we got. It was sad to say goodbye to her at that point but we had a few more tunes to get through before the day was over.

So we cut Cynthia loose and took two shots at “The Rainbow Connection” and got “Three Hours” is one take. We decide to try one more take of “Bashert” for kicks, and then my chops were done. Trumpet playing is such a physical endeavor, and when they go, they go! I would have loved to take another pass at one or two of the tunes, and we never got to my composition “Contact”, but that’s the way it goes.

After we were done we headed to Lucid for a celebratory drink, where the owner David bought the first round! He’s been super supportive of the band and the recording project and it was nice to end the day in the warm confines of his club. We even got to hear a bit of a new band called Chemical Clock, who were great!

I got home in a state that is all too familiar after playing – tired and wired. I slept for a couple hours but woke up with thoughts of the session in my head and deep gratitude for all my good fortune in my heart. PJ is going to get me the rough mixes tomorrow night, and I can’t wait to hear what we got. The band was absolutely killin’ all day long, and I look forward to getting into the mixing and mastering phase of the project.

Big thanks to Ashwin Rao for bringing his camera and documenting the session. Click here to see a slideshow of his photos.

Thanks to all who have participated in the Micropatronage Program so far. Your contributions will be used to pay the band and the studio today. I couldn’t have done it without you. If you haven’t yet participated, now would be a great time.

I’ll post an update later to let you know how it’s going.

So last night Josh, D’Vonne, Evan and I were joined by the lovely Katrina Wible on vocals. Katrina is one of my favorite singers in town because she’s a true musician, and she can sing just about anything, from Ella Fitzgerald to Stevie Wonder and everything in between! Check out her band Soul Kata for some great tunes.

Everyone at the wedding was just as nice as the happy couple themselves, and we received many great compliments. The best was from the mother of the bride, who told me that they’ve had 4 weddings for their 3 children and we’re the best band of them all! Once the dance floor was opened up it was crowded all night long.

Big thanks to Kaycee Parker of Parker Events and her assistant Tali for a great job coordinating the evening. Kaycee is a pro and kept everything running smoothly and calmly all night long. And I had the pleasure of meeting a new photographer, Ashwin Rao, who takes gorgeous pictures. He and his assistant Chris were fun and lively, and got some amazing shots of the band. All the photos you see here are Ashwin’s. He’s is a full-time sports medicine physician, and only shoots a handful of weddings each year, but if you’re lucky to hire him you won’t be disappointed. You can view a slide show of his photos of the JPQ and Katrina here.

Thanks also to the staff at Ray’s for taking such good care of us. I had an amazing plate of Gnocchi for dinner!

Even before we started playing the room was starting to fill, and by the time we finished our first set it was standing room only! The vibe in the room was warm and friendly, the drinks were flowing liberally, and the band was ON.

We ran through some of the new tunes we’re working on for the recording and dusted off some old favorites as well. The new stuff went over well and our arrangements worked great in the live setting. It was fun playing “Dos Gardenias”, “Three Hours” and “Idle Moments”. And “Bashert” was particularly inspired, perhaps because Darrah and her family were in the house.

It was also nice to be able to invite some friends up to join us, including Richelle Gay, who sang beautifully on our mash-up of “Footprints/Summertime”. My soon-to-be-cousin Keith Beesley joined us on soprano sax on “If I Were a Bell” and tore it up. Harold Rosenkrans brought is signature tenor style to Wayne Shorter’s “Adam’s Apple”. And Randy Powers busted out his flugel for an inspired version of Miles Davis’s “All Blues”.

It was a beautiful night of music and the love in the room was palpable. David has created the kind of club that every musician wants to play and I hope you’ll go check it out when you get the chance (we’ll be back at Lucid on April 4th). And I can’t thank him enough for creating our new signature cocktail, “Parker’s Mood”, and donating $1 from each sale to the Micropatronage program.

And as always, it is inspiring and a true joy to play with my incredible band. Thank you Josh, Evan and D’Vonne for bringing your fire, your spirit and your love to the JPQ.

Thanks to all who showed up for the gig. It mean so much to have friends both old and new in the audience supporting us. Moises, great to see you buddy. Next time you better bring your horn! And thanks to Margie for the photo.